Cat People (1982)
- Street Date:
- December 23rd, 2007
- Reviewed by:
- Peter Bracke
- Review Date: 1
- December 25th, 2007
- Movie Release Year:
- Universal Studios Home Entertainment
- 118 Minutes
- MPAA Rating:
- Rated R
- Release Country
- United States
The Movie Itself: Our Reviewer's Take
'Cat People' is one of those completely ludicrous but strangely compelling cinematic car crashes that could only have been made in the '80s. Not so much a remake as a "re-imagining" of the 1942 Val Lewton classic of the same name, writer-director Paul Schrader takes a dated piece of drive-in pulp and elevates it to the plane of faux-high art. He panders to '80s decadent sensibilities with heaping helpings of gratuitous gore and lots of leering shots of Natassia Kinski's boobies, but infuses it all with enough thematic complexity that 'Cat People' retains a fascinating, hypnotic power that ultimately elevates it above Schrader's self-defeating pretensions.
On paper, the plot is hilarious. Kinski stars as Irena, a beautiful young woman "on the verge of her sexuality" (i.e, she's a virgin and really horny). After her parents are killed under mysterious circumstances, she is called out to New Orleans by her long-lost brother Paul (Malcolm McDowell). Immediately after Irena steps through the front door, Paul tries to get her into the sack with a rather strange idea of seduction -- long speeches about "repressed animal instincts" and an ancient curse that causes their bloodline to turn into leopards after mating. According to the legend, Paul tells Irena, they must mate with their own kind, or be fated to kill their lover in order to revert back to human form. Makes a venereal disease seem tame, doesn't it?
Amidst Paul’s clear-cut pleas to "keep it in the family," Irena falls in lust with a local zoo curator Oliver (John Heard). Torn between two potential lovers, Irena must make a choice -- does she give in to her incestuous family bloodline, or does she risk making love to Oliver and transforming into one of the Cat People?
As a monster movie, 'Cat People' doesn't really work. Yes, the best classic monster stories (Dracula, Frankenstein, et al) are meant to work as allegories, but at least their villains were more or less believable in the framework created. Not so with 'Cat People,' because even with a healthy suspension of disbelief, the transition between human/cat doesn't even make even illogical sense (nor is it rendered with particularly believable make-up effects). By making the graphic elements of the story so overt, Schrader undercuts his own mythology. Silly ideas like this are best left to the imagination, but Schrader doesn't have the suggestive touch that Lewton displayed in the original. Instead, as he proved with his seminal scripts for the classics 'Taxi Driver' and 'Raging Bull,' Schrader is a hardcore realist -- not exactly a sensibility that gels with fantasy-horror.
Taken in the context of the film’s own behind-the-scenes story, ‘Cat People’ is arguably a much more interesting film. As we learn in the HD DVD's supplements, Schrader's own marriage was dissolving during the film’s production, and in an unintended case of life imitating art, he developed an immediate obsession with Kinski. It's particularly fascinating that that the director’s admitted point of entry to the story is Heard's Oliver, if only because he's such a putz. Fearful of women, he is attracted to Irena precisely because he is afraid of her; meanwhile, Irena is jealous of Oliver's girlfriend, Alice (Annette O'Toole), who Irena knows can please Oliver sexually in a way she never will be able to.
In hindsight, this lends the film an inherently misogynistic subtext. Schrader repeats the visual conceit of voyeuristically placing of the oft-naked, nipple-baring Kinski on a cinematic pedestal (framing her as an object to be leered at), and in the film’s disturbing conclusion, makes Irena an animal locked in a cage by her "owner" Oliver. It's the ultimate in female objectification by way of the dominant male gaze. As icky as they may be, the real-life parallels in all of this are intriguing, and to Schrader's credit, admissions like these are rarely made publicly (let alone documented in a disc’s supplemental package). Such soul-baring doesn't transform 'Cat People' into an undiscovered classic, but it does make it a far more interesting a film to analyze.
Critical musings aside, 'Cat People' is certainly a stylish and well-produced film. The New Orleans locations drip with atmosphere, and Schrader was smart to employ Giorgio Moroder, whose typically '80s synthesizer-heavy score remains one of the best soundtracks of any horror film of the era. Add to that some impressive production design, elegant cinematography, and the sensual Kinski, and 'Cat People' holds up as an imperfect but intriguing little cult gem.
The Video: Sizing Up the Picture
Universal remastered 'Cat People' for a DVD re-issue back in 2002, and this first-ever HD DVD release is minted from that same source. It's an OK effort that presents the film in a better light than its earlier video releases, but it’s still far from the finest catalog efforts Universal has produced.
The source print certainly has some rough edges. The opening credits are not promising, with loads of grain and softness. Things perk up in brighter shots (a good portion of the film is shot in wonderful New Orleans exteriors), but there is still healthy grain and a lack of sharpness throughout. Colors are well-saturated for a film released in the early ‘80s, particularly the intriguing use of a red/cyan palette (as director Paul Schrader remarks in the disc's extras, it's hardly a common look). Still, hues suffer from chroma noise on the heaviest reds and blues, while dark scenes have poor shadow delineation. Depth and detail are fine, but the image never looks three-dimensional. At least the 1080p/VC-1 encode is nice and smooth, with no obvious compression artifacts such as macroblocking.
The Audio: Rating the Sound
Although Universal has kindly ponied up for Dolby TrueHD 5.1 Surround track (48kHz/16-bit) on 'Cat People,' in all honesty the film's elements are so dated that it doesn't offer much of an upgrade.
Typical of a 1982-vintage picture, 'Cat People' only sporadically uses the rear channels. There are a few very obvious discrete effects with the panther attacks, though even here the bleed to the surrounds often sounds as if only the mid-range has been extracted. Giorgio Moroder's enjoyably retro synth-score is also frustratingly confined to the front soundstage -- indeed, most of 'Cat People' sounds like a well-done stereo mix. Dynamics are pretty good but not spectacular, with only average low bass extension and a flat feel to the highs. Dialogue is also a little muddled in the mix, though largely intelligible throughout. A listenable but wholly unremarkable TrueHD track.
The Supplements: Digging Into the Good Stuff
Universal first issued 'Cat People' as a special edition DVD back in 2002, and I was surprised by the wealth of extras included. That same line-up is included here, and it's sure to please the movie's small but devoted cult following (myself included).
- Audio Commentary - Paul Schrader kicks things off with a solo screen-specific audio commentary. An intelligent and articulate speaker, he's also rather curmudgeonly at times (perhaps that's what thirty rough and tumble years in the movie business will do to you). Still, if you can get past his demeanor, it's a strong track. He talks at length about his initially mercenary reasons for taking the project (he needed a hit, and Universal had a thing for remakes at the time), but it's clear that he eventually crafted a surprisingly personal film for what is essentially a B-movie. He also is interesting in his approach to the film's sensuality, his allusions to erotic literature and philosophy, and the blatant admission that he cast Natassia Kinski because he had the hots for her. Meow.
- Featurette: "Cat People: An Intimate Conversation with Paul Schrader" (SD, 25 minutes) - Essentially a digest version of the commentary, Schrader is even more grumpy here (to be fair, he admits upfront that he "has the flu" and is not in the greatest of moods). Still, this featurette is likely to be preferable for those who don't have the time to watch the entire flick again, and documentarian Laurent Bouzereau does a nice job of interspersing stills and a wee bit of making-of footage to keep this from being a twenty-five minute long talking head.
- Featurette: "Special Makeup Effects by Tom Burman" (SD, 11 minutes) - The only other member of the production staff to be interviewed for this package, Burman comes across as proud of his work on the film, however dated it may be. He shows off some unseen concepts for the human transformations in the film, and explains how the setpiece with Kinski turning into a leopard was executed.
- EPK: "On the Set with Paul Schrader" (SD, 10 minutes) - This slice of 1982 cheese has to be one of the worst EPKs I've ever seen. It's literally one long shot of Schrader, and it just makes the movie sound even sillier than it is.
- Still Galleries (SD) - There are two galleries provided, each an edited montage that does not allow for manual control: "Cat People Matte Paintings" (3 minutes) and "Production Photographs" (6 minutes).
- Theatrical Trailer (SD) - Wrapping up this package is the film's original trailer, presented in poor quality 4:3 full screen video, and only 480i/MPEG-2 to boot (the same is true of all of the bonus features on the disc).
HD Bonus Content: Any Exclusive Goodies in There?
There are no high-def exclusives, though Universal has included their MyScenes bookmarking function.
'Cat People' may be an entirely preposterous chiller, but it does create a genuine mood, and Natassia Kinski is perfectly cast as the vulnerable and mysterious Irena. This HD DVD release is solid enough for a dated b-movie, with above-average video and audio, plus a healthy dose of supplements. Is it truly a stand-out catalog release from Universal? No, but die-hard 'Cat People' fans should be more than happy.
- HD DVD
- HD-30 Dual-Layer Disc
- 480p/i/MPEG-2 (Supplements Only)
- English Dolby TrueHD 5.1 Surround (48kHz/16-bit)
- English Dolby Digital-Plus 5.1 Surround (1.5mbps)
- English SDH
- French Subtitles
- Audio Commentary
- Still Galleries
- Theatrical Trailer
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