Worth It For Fans
4 stars
Overall Grade
4 stars

(click linked text below to jump to related section of the review)

The Movie Itself
3.5 Stars
HD Video Quality
4.5 Stars
HD Audio Quality
3.5 Stars
3 Stars
High-Def Extras
1 Stars
Bottom Line
Worth It For Fans

Tideland (German Import)

Street Date:
November 6th, 2007
Reviewed by:
Review Date: 1
March 31st, 2008
Movie Release Year:
Concorde Home Entertainment
123 Minutes
MPAA Rating:
Rated R
Release Country

Editor's Notes

This is a review of the German HD DVD release of 'Tideland'. For more information about importing HD DVD discs, visit the HD DVD imports thread in our forums area.

The Movie Itself: Our Reviewer's Take

Terry Gilliam, the notorious perfectionist with a reputation for feuding with his producers, had just come out from a knock-down, drag-out fight with the Weinsteins over his last picture, 'The Brothers Grimm', an unwatchable mess and by far his worst film to date. Attempting to recover from that debacle, the director decided to bypass the studio system entirely for his next project, an independently financed adaptation of Mitch Cullin's dark fantasy novel 'Tideland'. Produced off the Hollywood grid in rural Canada with just a few sets, a handful of actors, and free reign to do whatever he wanted, the finished product is certainly one of Gilliam's most focused and consistent movies in years, 100% his vision without compromise. It's also his most difficult film to watch, and has been decried as a disaster by many critics and even some of his staunchest fans.

The movie opens with the introduction of Noah (Jeff Bridges), a washed up rocker turned paranoid and irrational druggie, his horrible shrew wife (Jennifer Tilly, doing a freakshow impersonation of Courtney Love), and their beatific 9-year-old daughter Jeliza-Rose (Jodelle Ferland, the child-in-danger from 'Silent Hill'). The parents, if you could accurately use that term, have no regard for their own lives, much less the little girl's. Having known no other way of life, Jeliza-Rose blithely preps the heroin needles to help daddy go on his "vacations" and massages momma's gnarled feet while listening to her manic verbal tirades. It isn't long before the mother drops dead and Noah, fearing imminent police intervention, hightails it out of town with daughter in tow on a bus ride to grandmother's house.

Located precisely in the middle of nowhere, the ramshackle old building they arrive at is spookily isolated on a vast prairie (horror fans will recognize it as the same setting recently seen in 'The Messengers'). Of course, grandma is long since dead, and Noah himself checks out soon after arrival, settling down for a vacation from which he won't return. Though she doesn't exactly comprehend the predicament, this leaves young Jeliza-Rose to fend for herself while daddy's corpse decomposes in the living room. Ick. Fortunately, she's brought along her four best friends, a set of disembodied doll heads she converses with regularly. Lacking any other form of support, Jeliza-Rose's active fantasy imagination is her only protection from the many adversities she faces, including abandonment, hunger, boredom, and her run-ins with the batshit-crazy lady from a neighboring property, whose mentally-retarded teenage brother will become the girl's closest living friend, as well as possibly a dangerous physical threat.

'Tideland' is a film with obvious artistic merit that is nonetheless extremely unpleasant to watch. Making the same mistake he did in 'Fear and Loathing in Las Vegas', Gilliam falls into the trap of wallowing in over-the-top filth, ugliness, and despair, hoping that the few shining moments of beauty he extracts will lead to transcendence. He almost gets there, almost entirely by virtue of the fact that Jeliza-Rose is a much more sympathetic character than those in 'Fear and Loathing'. Once Jeff Bridges leaves the scene (which isn't very far into the picture), the rest of the movie is practically a one-girl show for Jodelle Ferland, every scene told from her character's perspective. The young actress delves into dark areas that no one her age should ever be asked to go. Although Jeliza-Rose is never actually physically abused, she's put into many uncomfortable situations, some of her own doing and some not, involving emotional abuse, death, and sexuality, one after another in a constant stream of horrors she doesn't recognize or understand, but the audience certainly does. Ferland delivers a strong performance, but it's one that the material almost cynically demands be described as "brave."

For Gilliam, the film is clearly intended as a dark fairy tale, and he layers in many references to past works of the genre: mirrors, rabbit holes, a journey to grandmother's house, a wardrobe in the attic, etc. The trips through Jeliza-Rose's imagination allow him to indulge in the type of surreal fantasy set-pieces he's famous for, and there are many moments of true lyrical genius in the movie. But it keeps coming back to one central problem, which is that Gilliam has designed the picture as an affront on the audience's sensibilities, without ever making a case for why it's necessary. What is the point of putting this child into such harrowing circumstances? What is the message of the movie -- that children are resilient and fantasies help us to escape the unpleasantness of reality? Is that all, and if so is that really a sufficiently worthy goal that couldn't have been reached any other way? I think I could have gotten that message without needing to see Jeff Bridges' corpse taxidermied and propped up in bed for his daughter to snuggle with, thank you very much.

Seriously, ick.

The HD DVD: Vital Disc Stats

The North American distribution rights for 'Tideland' are held by TH!NKFilm, a studio not yet committed to High Definition, and whose DVD edition of the movie was mastered at an incorrect aspect ratio in any case. Happily, Concorde Home Entertainment in Germany has treated the film with more respect, releasing it on both HD DVD and Blu-ray with an excellent transfer. The region coding of the Blu-ray is unconfirmed at present, but the HD DVD is region free (as are all discs from the format) and will function in any American HD DVD player.

The disc opens with a skippable anti-piracy ad, followed by a video introduction from the director that played before the film in theaters. The soundtrack here defaults to a German overdub (a narrator translating on top of Gilliam's speaking voice) that can be disabled by using the Audio button on the remote to hear the original English. After this, the movie starts immediately without a main menu page. Once again, the movie defaults to a German dub soundtrack until manually changed to the correct English. Although no pop-up menus were available during the intro, they are available once the movie starts. All menu text is written in German, but the organization is fairly straightforward and should be easy enough for an English speaker to navigate. Frustratingly, the menus disappear from the screen after barely a few seconds unless you actively move around in them and choose your selections quickly. Also, the disc automatically triggers German subtitles on screen and closes the menu when you select English audio, forcing you to re-open the menu to turn off the subtitles. It's a minor nuisance, but annoying all the same.

Inside the HD DVD case is a small booklet with some photos and notes (in German) about the movie.

The Video: Sizing Up the Picture

The history of 'Tideland' on home video is practically a comedy of errors. The movie was shot using the Super35 format and projected at a 2.35:1 aspect ratio in theaters. Director Terry Gilliam felt that the framing was a hair too tight and instructed that the DVD releases open the mattes off the top and bottom slightly to 2.25:1. Somehow, this simple instruction was misinterpreted in a variety of ways. The UK DVD release from Revolver Entertainment left the top and bottom mattes in place as is, and instead cropped some picture off the sides, for a ratio of about 2.10:1. Later, the American DVD from TH!NKFilm mastered the movie with a screen-filling 16:9 transfer that completely lifted all of the vertical mattes and yet also retained the horizontal cropping from the UK disc. The result was a picture visibly missing information from the sides while exposing far too much unintended image above and below the active frame.

The Dreams web site (a Terry Gilliam fanzine) has an excellent article about the aspect ratio controversy with photos comparing the various DVDs to the cinema image and the original camera negative.

After all this, Concorde released the film on DVD and High Definition in Germany with a brand new transfer that restores the original 2.35:1 theatrical ratio. The following photo was taken from the same shot used for the Dreams comparison, and clearly matches the cinema framing (note that this picture is a camera snapshot pointed at a TV screen, and is not intended to represent any facet of the disc's picture quality other than the aspect ratio).

While it's true that Terry Gilliam never got the 2.25:1 ratio that he wanted, the German transfer is an accurate presentation of the theatrical framing and most closely captures his artistic intent. Further, it should be said that the 2.35:1 ratio looks perfectly balanced, and to my eye never seemed overly tight as Gilliam may feel about it.

In other respects, the quality of the transfer is pretty terrific. The picture is very sharp and detailed throughout, with no edge enhancement ringing to distract. There are many moments of truly breathtaking clarity once the action moves to the brightly lit, wide open fields on the prairie. The movie's color palette was digitally manipulated by the filmmakers in a number of ways and sometimes looks a little artificial, but is undoubtedly faithful. A mild amount of film grain is present in some scenes, well compressed and not noisy. The only negative thing I have to say about the picture quality is that a few of the darker scenes have elevated, washed out black levels. Whether this was present in the original photography or is an artifact of the disc transfer, I'm not sure. Regardless, the HD DVD has a wonderful, film-like image and looks great.

The Audio: Rating the Sound

The DTS-HD High Resolution 5.1 soundtrack is also quite good. The track has pleasing fidelity, especially in the musical score. There generally isn't much low end activity, but the few moments that require heavy bass deliver as promised. Surround usage is a little schizophrenic. For the most part, the mix doesn't have much going on in the rear channels, until the fantasy sequences that become decidedly more aggressive and immersive.

The soundtrack has no problems with incorrect pitch, as has occurred on some other European releases (primarily from Studio Canal). The audio on the disc may not have wowed me, but I have no complaints either. It's a solid, satisfying presentation.

Frustratingly, the disc also has a lossless DTS-HD Master Audio 5.1 track, but only for the German dub, not the original language. Subtitle options are limited to German subtitles or German Captions for the Hearing Impaired.

The Supplements: Digging Into the Good Stuff

Amazingly, Concorde has provided almost all of the bonus features found on the 2-disc TH!NKFilm DVD.

  • Introduction by Terry Gilliam (SD, 1 min.) – This grainy, black & white, 4:3 clip in which the director warns audiences that many of them will actively hate the movie they're about to see played before the feature in theaters, but really shouldn't have. It comes across as defensive and condescending. The piece automatically runs prior to the start of the movie, but fortunately can be skipped.
  • Audio Commentary – Speaking of defensive, Gilliam and screenwriter Tony Grisoni spend a lot of time in their commentary track whining about the negative critical reaction the film received. They eventually get over it and move on, but it takes a while. Once you get past that, Gilliam is an old pro at the commentary format and pulls himself together. The rest of the track is pretty interesting. Topics of discussion include the Mitch Cullin novel, the difficulties in financing the movie, casting and working with a young child on such dark subject matter, their artistic intentions, and the symbolism used.
  • Getting Gilliam (SD, 43 min.) – Director Vincenzo Natali ('Cube') was brought in during production to document the making of the film. His nasally narration is incredibly annoying and filled with grating hero-worship, but the featurette does provide a decent overview of Gilliam's career, working methods, and the "curse" that seems to haunt all of his movies. Amazingly, despite many problems with weather, destroyed footage, and a bug bite that caused Jodelle Ferland's lip to swell to three times its normal size, 'Tideland' is one of the few Gilliam features to come in on time and budget. While "Getting Gilliam" is better-than-average for the making-of genre, it doesn't hold a candle to the outstanding documentaries found on discs for 'Brazil' and '12 Monkeys', nor the superlative 'Lost in La Mancha' feature documentary about Gilliam's aborted Don Quixote movie. [Note that the HD DVD is missing the extra commentary track from the DVD that Gilliam and Natali delivered over this featurette.]
  • The Making of Tideland (SD, 5 min.) – EPK fluff with the usual talking-head interviews and clips from the movie.
  • Deleted Scenes (SD, 6 min.) – Five short scenes are presented with forced Gilliam commentary. It might have been nice to hear the original dialogue, especially on the flashback where Jeliza-Rose first meets her doll head friends. None of the scenes really needed to be in the movie, however.
  • Filming Green Screen (SD, 3 min.) – The underwater and rabbit hole fantasy sequences are analyzed.
  • Interviews (SD, 25 min.) – Gilliam speaks for 15 minutes and producer Jeremy Thomas for 10 minutes in these additional talking-head clips.
  • Trailers (SD, 4 min.) – A German trailer is presented in decent-quality anamorphic widescreen, but the audio is dubbed and the piece misleadingly tries to sell the movie as a trashy horror thriller. The original English language trailer is much better, but is here presented in awful quality 4:3 video.

HD Bonus Content: Any Exclusive Goodies in There?

New to the German disc are the following:

  • More Interviews (SD, 5 min.) – In addition those by Gilliam and Thomas, further EPK interviews with Jeff Bridges, Jodelle Ferland, and Jennifer Tilly are available.
  • B-Roll (SD, 21 min.) – Raw behind-the-scenes footage of the production, without structure or narration. This sort of thing gets pretty dull after just a few minutes.
  • Photo Gallery (HD, 2 min.) – An animated montage of production photos.

Also included are some trailers for unrelated movies, all dubbed into German.

The Cutting Room Floor: What Didn't Make the HD DVD?

Missing from the DVD is a commentary track by Terry Gilliam and Vincenzo Natali over the "Getting Gilliam" featurette. Everything else is present.

Final Thoughts

I can see why many viewers develop a strong and almost instantaneous adverse reaction to 'Tideland', but I am not so quick to write it off. I recognize the artistry in the film, even if I don't have a compelling desire to watch it again right away.

This isn't the type of movie one recommends as a blind purchase. For Terry Gilliam fans who've already seen the movie or feel sufficiently prepared for it, the German import HD DVD has excellent picture, very good sound, and a decent selection of bonus features. It merits a qualified recommendation.

Technical Specs

  • HD DVD
  • HD-30 Dual-Layer Disc

Video Resolution/Codec

  • 1080p/VC-1
  • 480i/p/VC-1 (Supplements Only)

Aspect Ratio(s)

  • 2.35:1

Audio Formats

  • English DTS-HD High Resolution 5.1 Surround
  • German DTS-HD Master Audio 5.1 Surround


  • German Subtitles
  • German SDH


  • Audio Commentary
  • Deleted Scenes
  • Featurettes
  • Interviews
  • Trailers

Exclusive HD Content

  • Behind-the-Scenes Footage
  • Interviews
  • Photo Gallery

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